Playing with Water

I can’t say I’m a complete novice when it comes to watercolor.

I used a simple Crayola set to create this logo for a client…
…and layered washes of color under the colored pencils in this poster for Habitat for Humanity’s Recycled Arts Show.
When my grandfather passed, I created this scene as part of a card for my mom.
Using photoshop to ‘photocopy’ this photo my husband took, I turned it into outlines, printed and re-applied the color using watercolor.

Like knitting and crochet, watercolor may be one of those talents that has somehow been transmitted to me from my ancestors even though I never saw how they executed the skill or viewed much of their handicraft. Grandpa practiced watercolor.  Or it could just be something that can be learned with careful observation and practice.

I’ve been working in colored pencil and feel like it has taught me some valuable skills about shading and the use of white space, but I wanted to move into paint.

Paint is naturally more fluid. I feel like the pigments could be more vibrant than pencil, and it just flows, laying down the color much faster. I used to own some acrylics, and have played with enamels, but watercolor has been calling. 

Some of my old acrylic paintings from 20+ years ago.
A flower pot decorated in enamel paints, inspired by the seashells we picked up on a visit to Florida in 2017.

The first thing I did was sit down and research recommendations on supplies. There is so much out there! I didn’t know where to start. As I found artists whose artwork I admired, Winsor & Newton was frequently mentioned. Anticipating that I would want a small kit that I could easily take with me, I wanted to keep it all small and compact. For less than $50 on Amazon, I purchased the following:

  • Winsor & Newton (W&N) Cotman Water Color Paint Sketchers’ Pocket Box
  • W&N Cotman short handle brush 7pack of assorted styles
  • W&N Professional Watercolor paper journal, cold pressed 140lb. 5×7

I also bought some masking fluid, but I haven’t used it yet.

Added since my initial order: 

  • some fun washi masking tape for holding down the paper while I paint on a clipboard
  • Staedtler Pigment Liners, set of 6 in assorted sizes – I thought I wanted a pen that was waterproof, but I have yet to use these with my paints. So far I’ve been sketching very lightly in pencil and using the paint to outline. I’ve been using the pens with my tangling practice.

Since then, I’ve signed up for a watercolor class at my local studio that starts in May. There’s a material list for the class and per the instructor’s recommendation, I bought them all through Cheap Joe’s Art Supplies. So now I have tubes of paint, a palette, and a big block of watercolor paper. My favorite brushes so far are the no. 6 round Princeton Neptune I bought for the class and the no 1 round from the W&N pack for detail.

I’d been reading many artist recommendations and saw that a repetitive theme is to buy larger paper and cut it down to the size you want. I don’t plan on doing that with this block. I would like to try something large before the class but haven’t decided what yet. I like the small sketchbook size because it doesn’t take too long to complete something. Surprisingly, I’ve still been able to achieve a high level of detail, yet I know when I scale up it will open up a whole new world and style. I will probably order another sketchpad for the portability.

Camping on the Chama, featured at the beginning of this post, was my first piece with just my initial W&N supplies. For these succulents—the latest completed artwork, I used some of my new tubes of paint with the palette and new brush and the W&N pans. Here’s a little peek into the process:

I started sketching from an image I found on the internet (left). Concerned with scale and transferring it to the watercolor paper, I decided to use tracing paper to copy more precisely and transfer the outlines.
A printout of a photograph from the internet (left). My final watercolor (right).
Work in progress. More for next time…